|
The 2008 T-Bone Walker Blues Festival performer line-up is in 'full-swing'! Listed below are the blues entertainers scheduled to perform at this year's blues fest. Join us June 20-22, 2008!
AJ & the Two Tone Blues Band
A.J. CASCIO
VOCALS AND HARMONICA
TONY CASCIO LEAD/RHYTHM GUITAR
ROD TOMPKINS
BASS GUITAR
RANDY CASSELL
DRUMS
BILL UNVERZAGT KEYBOARD
|
Friday
June 20, 2008
Music City Texas
Theater Stage
7:30 pm
|
|
Shreveport, Louisiana has a great blues tradition. One of Shreveport’s most sought after and venerated southern blues outfits, AJ and the Two Tone Blues Band were the winner’s of the Sonny Boy Blues Society – Battle of the Bands competition in 2005 in Helena, Arkansas. In 2006, they placed in the top 10 of 130 bands from around the world at the International Blues Challenge in Memphis. Tony Cascio calls his sound “Delta Blues – with a Chicago flavor”. |
|
 |
|
Friday
June 20, 2008
Music City Texas
Theater Stage
11:15 pm
|
|
The simple mention of a Louisiana or Texas roadhouse conjures up images of a crowded dancehall filled wall-to-wall with rabid music fans rocking to a hotter-than-hot band playing a smoldering blend of swampy R&B, jumping blues and heart-wrenching ballads. Pianist/vocalist/songwriter Marcia Ball brings that spirit to every concert she plays and every song she records. Her music is mixed with equal parts of simmering soul fervor and two-fisted piano pounding. Between her deeply emotive vocals and her incisive, often poignant songwriting, Ball is in a class by herself. Her groove-laden New Orleans R&B and driving Gulf Coast blues have made her a one-of-a-kind favorite of music fans all over the world. The Boston Herald says, “Piano pounding Marcia Ball plays masterful, red hot tracks from the Texas-Louisiana border. Her voice can break your heart with a ballad or break your back with a rocker.” The Austin Chronicle heralds her as “a class act whose soulful, horn-laden swamp pop and murderous honky-tonk make her a stellar example of musical artistry.
Born in Orange, Texas, in 1949 to a family whose female members all played piano, Ball grew up in the small town of Vinton, Louisiana, right across the border from Texas. She began taking piano lessons at age five, playing old Tin Pan Alley tunes from her grandmother’s collection. Marcia’s critically acclaimed Presumed Innocent, took home the 2002 Blues Music Award for “Blues Album Of The Year.” Her follow-up, So Many Rivers, was nominated for a Grammy Award, and won the 2004 Blues Music Award for “Contemporary Blues Album Of The Year” as well as the coveted “Contemporary Blues Female Artist Of The Year” award. Her next album (her first-ever live recording), Live! Down The Road, released in 2005, also garnered a Grammy nomination. In 2005, 2006 and 2007 the Blues Music Awards honored Ball as the “Piano Player Of The Year.” And now she’s back with her first studio album in four years, the perfectly titled Peace, Love & BBQ (“Three of my favorites things,” says Ball) – and produced by fellow headliner, Stephen Bruton
- ALLIGATOR RECORDS
|
Miss Blues
(Dorothy Ellis)
MISS BLUES
LEAD VOCALS-WASHBOARD
ROB HIBBARD
LEAD/RHYTHM GUITAR
DON SKINNER
BASS GUITAR
RON HARMON
KEYBOARDS
MIKE HARDWICK
DRUMS AND PERCUSSION
|
Saturday
June 21, 2008
Eagle Stage
(Outdoor Stage)
7:15 pm
|
|
Dorothy Choncie Ellis typically opens a conversation about her sharecropping, dirt-poor existence in Direct, Texas, located in North Texas near Paris, the Red River and Oklahoma. "One day a preacher with a crooked leg and a long stick pointed at everyone declaring that anyone in Direct, Texas, was going straight to hell, she says. “Honey. I packed my stuff and headed out," In 1943 on an Easter Sunday she came out of her shell as singer and vocal force and celebrates 65 years of professional blues. Dorothy, as “Miss Blues" unleashed her vocal power and heart full o' soul and songwriting tasks with some of the best blues artists she could find to assist her. Ms Blues have played on bills with Richard "Groove" Holmes, Little Joe Blue, Dink Small and others, Miss Blues has been featured at a number of blues festivals, including the Arcadia Blues Festival, Pinedale Blues Festival, Southwest Blues and Heritage Festival and the Dusk to Dawn Blues Festival.
In 2004, Miss Blues was named a member and received a "Woody" (Guthrie) Award as an inductee to the Oklahoma Blues Hall of Fame. Her discography includes "On The Front Porch With Miss Blues," Miss Blues Settin' In With Blindog Smokin'," and "Reminiscence of the Blues." The Blues Diva attributes much of her success to her affiliation with the BDS Band. “If it hadn't been for the Blind Dog Smokin' Band, I would have never had a compact disc recorded and would have spent my time lost without the blues I love so much.“ This honest voiced songbird is a pleasure to behold with her unaffected, spontaneous and fully righteous singing with a mic in her hand. Miss Blues is authenticity in action. |
|
Saturday
June 21, 2008
Music City Texas
Theater Stage
11:15 pm
|
 |
If a stranger asks Stephen Bruton what he does for a living, “I’m a guitar player” is the simple answer. But if Bruton were to ask the same question of himself, the response would be another question: “Whadda ya need?” That’s because Bruton is far more than just a guitar player par excellence. He is also a songwriter, singer, recording artist, record producer, actor, collaborator, and something of a raconteur and provocateur. One could dub him a renaissance man, but for Bruton it’s more just a matter of doing what needs to be done the best it can be done.
It’s almost an understatement to say that Turner Stephen Bruton grew up surrounded by music in Fort Worth, Texas. His jazz drummer father ran a record store where he was weaned on the musical classics from blues, country, jazz and pop to classical. Bruton has produced acclaimed albums for Alejandro Escovedo, Marcia Ball, Jimmie Dale Gilmore, Hal Ketchum, Storyville and Chris Smither. Young wanderlust led him East in 1970 to the musical Mecca of Woodstock in New York’s Hudson River Valley. One night he headed down to Manhattan to catch a gig by his friend Kris Kristofferson and was offered the guitar gig in the rising songwriting star’s band. That launched nearly two decades of regular roadwork with Kristofferson as well as touring with Bonnie Raitt, Christine McVie and others. But even with all his varied pursuits, “the guitar is the constant among variables in my life,” says Bruton. Since playing with Kris Kristofferson and Rita Coolidge on their Full Moon album in 1973, he has been an in-demand player who has recorded with Raitt, McClinton, Burnett, Elvis Costello, Carly Simon, The Wallflowers, Sonny Landreth, Peter Case, Ray Wylie Hubbard and a slew of others.
|
The Blues Specialists
Weldon Gentry
Drums, Vocals
Lawrence Bell
Keyboard, B3
Russell Shores
Bass
Rob Richardson
Guitar, Vocals
Mel Davis
Lead Vocals, Harp, Sax
|
Saturday
June 21, 2008
Music City Texas
Theater Stage
6:00 pm
|
 |
The Blues Specialists bill themselves as having "over 200 years of combined playing experience, and the curing of their slow-cooked, delicious blues and jazz simmers on today. TBS, based in Austin, was established by two of Austin's blues legends – T.D. Bell and Erbie Bowser twenty years ago. TBS is credited with ushering in more "Happy Hours" than any blues band around. After Bell and Bower passed the band continued as TBS with original member Mel Davis carrying on the tradition of Texas Jump Blues. It is reported that the musical epicenter of TBC's creative strides and traditional preservation are based almost exclusively on the musical style of T-Bone Walker who influenced T. D. Bell and is a cousin to Mel. |
Tyler Dow Bryant
Tyler Dow Bryant
Guitar / Vocals
Ben Alsup
Bass
Alex Hahn Drums/Percussion
|
Friday
June 20, 2008
Eagle Stage
(Outdoor Stage)
9:30 pm
IN TYLER'S PLACE WILL BE
Matt "Mojo" Tedder
|
|
Like the Old West, East Texas seems ready for a new challenger to strap on a new level of skill, diversity and staggering youthful abilities to rank among the state’s "Texas Young Gun" guitarists. Tyler Dow Bryant is the new, ascending heir apparent to the role of "gunslinger." Tyler's history reveals a child obsessed with musical expression since he was a pre-schooler ; addicted at first blush with the blues, R&B, and some experimental genres such as jazz. He was nurtured in the blues by the aging bluesman Roosevelt Twitty where they formed the Blues Buddies. Twitty’s poor health caused Tyler to end the performing relationship. By t this time his fame, and the curiosity which follows, brought Tyler friends, fans and financial assistance to pursue his talents solo or as a band leader/member. One benefactor and fan is Dallas Maverick operational chief Donnie Nelson. Tyler now has a new band, the self-titled Tyler Dow Band.
Tyler has spent time visiting and working with a slew of industry giants, who left the encounters more surprised and pleased rather than disappointed. He generated that kind of response to his serious undertaking among stars such as Paul Simon and Edie Brickell, Chris Duarte, Brent Rowland,, Albert Lee,, Steve Lukather, Dickey Betts, Wes Jeans, and others.
In 2007, Tyler received the endorsement of the Ernie Ball/Music Man. In 2007 Tyler snared a rare trophy for any blues guitarist worth his salt: Robert Johnson Blues Foundation's New Generation Award. Tyler is a sensible youngster who comes from a high-achieving, family value-oriented clan. It's not likely he'll be ubiquitous until high school graduation. Meanwhile, relax and enjoy one of the youngest and best guitarists while he's still in the area, |
Diddley Squat Band
Jim Cobb
Lead Vocals/Guitar
Sylvia Carrell
Lead & Backup Vocals/Percussion
Rick Sims
Sax/Backup Vocals
Rodney Beal
Bass/backup vocals
Val Nail
Drums
|
Saturday
June 21, 2008
Eagle Stage
(Outdoor Stage)
6:00 pm
|
|
Some ill-informed patrons still think the blues/jazz era of fashion statement brought to the stage by Diddley Squat is "just part of the act." That is until the band starts kickin' when it finds its groove and the crowd catches on that this isn't about just the blues, it is the blues of the Diddley Squat Band.
In 2003, the band placed second in the annual Sonny Boy Blues Society Battle of the Bands, in Helena, Arkansas. In 2004, Diddley Squat placed first in the Sonny Boy Blues Society Battle of the Bands, and in turn, had the honor of opening the 2004 King Biscuit Blues Festival - also an annual event in Helena, Arkansas, and one of the most famous and respected blues festivals. In February 2005, the Sonny Boy Blues Society sponsored Diddley Squat in the IBC in Memphis. This is the International Blues Challenge, where the crème de la crème in the world’s unsigned blues artists compete for prizes that include international recognition, musical equipment, and choice gigs in the future. Squat returned to the IBC in 2006 sponsored by the Shagbark Blues Society of Paris, Texas and in 2008 sponsored by the Texarkana Blues Society. |
Elliott Fikes & The Ezekiel Experience
|
Sunday
June 22, 2008
Music City Texas
Theater Stage
4:00
pm
|
|
| Elliott Fikes is a multi-talented saxophonist who plays tenor, alto and soprano saxophones. He began playing saxophone at the age of nine in a small Kentucky mining town. A self –taught musician, he cut his teeth on “the blues” – or “fatback” as his uncle called it. Elliott's music reflects the true sound of the heartaches and life's experience that are best expressed through his saxophone's warm, mournful tones and his gritty, soulful vocal style.
His love for the horn and his God given talent gave him an opportunity to begin a professional career while still in high school. He worked his way through school playing in local bands in Pittsburgh, PA. His senior year, he was discovered by a popular local recording group, Sonny and the Premieres. After graduation, he was recruited by The Imperials, a recording and touring group out of New York. |
From that beginning, Elliott has performed with The Imperials, Joey Dee and the Starlighters, The Shirelles, The Coasters, Big Joe Turner and many others. He shared the stage with Janis Joplin…and has performed across the country from New York to Las Vegas to California and points between. Elliott now calls the Texas Hill Country home and prefers Texas audiences to any in the world. He has played every genre of music…and says that “music is the International Language.” He enjoys performing all types of music in a variety of venues.
Elliott and his group, Soul Serenade, will be sharing the stage in Linden with a talented little lady with a big blues sound, Shelly Wilson.
Elliott Fikes and Soul Serenade continue to “wow” audiences with their Blues, R & B, and Funk, performances.
Elliott's popular Gospel group performs everywhere from churches, festivals, Gospel Brunches to fairs, offering contemporary Christian, old time Gospel, and his own “funky” version of Christian music.
When Elliott hits the stage, his performances are energetic, gutsy and unpretentious with emphasis on a great time for his audience. |
|
The Bluebirds
Jimmy Wooten
Lead Guitar/Lead Vocals
Bruce Flett
Bass/Vocals
Cody Lowery
Drums
|
Saturday
June 21, 2008
Music City Texas
Theater Stage
8:40 pm
|
|
Louisiana's Most Soulful Roots Rockers," according to Offbeat Magazine in the blues district of New Orleans, are celebrating their 22th anniversary as a band serious about the blues. They helped to open the Music City Texas Theater in 2003 and have been the cornerstone of the great blues presented by the T-Bone Walker Blues Fest. Buddy Flett toured with Kenny Wayne Shepherd's "Blues from the Backroads" and Buddy's song "Honky Tonk" from the "10 Days Out: Blues From the Backroads" is one of the featured tracks on the disc. Call them Roots Rock, Blues, Swamp Rock, R&B…these guys won't stop! Having shared the stage with everyone from B.B. King to the Neville Brothers…. Jimmy Wooten, (Buddy is on medical leave"), Bruce Flett, and Cody Lowery will have your head rock'n and your body swaying to the beat. |
|
Friday
June 20, 2008
Eagle Stage
(Outdoor Stage)
10:45 pm
|
|
"Son, you keep your head on straight and you're going places. – B. B. King to Wes Jeans following appearance at the Oct. 2003, Strand Theater in Shreveport.
It's easy to forget that this East Texas guitar-god won a 1996 Jimi Hendrix guitar showdown in Austin less than a year after picking up the axe. Wes Jeans wears the honor displayed in 2004 by Guitar Player Magazine as one of the nation's Top Young Guns. he appeared in the documentary "Solis Bodies" along with Johnny Lang. But blues guitar success is a long and elusive trail that leads backwards rather than forward; so, even young studs still give wide clearance to B. B. King, Buddy Flett, Chris Duarte, Buddy Miles, Buddy Guy, Joe Bonamassa and Hubert Sumlin. …and Wes has swapped licks with each at one time or another. The road is long and sometimes brutal, but Wes still has time on his side.
K. Reagh probably sums up this analogy far more eloquently - "Wes Jeans is no stranger to the blood, sweat and tears it takes to make it in this rough genre. This 26 year-old is in his eleventh year of highway pounding blues playing and singing. His travels have taken him to the East Coast to the West Coast.
"Playing this genre is not for anyone with thin skin. Blues is the underdog and it's up to us to forge a sound which is ours but reflective of our heroes and bring it to the forefront.” Back for a second year to headline the T-Bone’s “Texas Young Guns” show, Wes Jeans will set you on fire! |
|
Saturday
June 21, 2008
Eagle Stage
(Outdoor Stage)
1:00 pm
|
|
Basically it comes from the way I was coming up. What make me, people like me and Sherman Robinson is they were raised up in it, too," said to a reporter with Blues and Rhythm, is about as honest as any young blues man considers the joyful weight of the combined family, community and church each striking beckoning chords for attention. As the son of South Dallas/Oak Cliff blues guitarists, Johnny B. Jones, TuTu Jones was "brought up in" such a blues-rich tradition. It wasn't a surprise to awaken to Freddie King. Little Joe Brand, or Ernie Johnson seated at the breakfast table after a last "last call."
Before age five, TuTu was being groomed as drummer for a road trip with Curley "Barefoot" Miller and L.C. Clark. While an impressionable sponge of this teen's mind was working, he knew he was learning and growing as a blues musician. Further along, on the bandstand with Z. Z. Hill and R. L. Burnside. His hands became as tough as a pair of corncobs. Other bands he drummed for along his route to the guitar included Al "TNT" Braggs, Ernie Johnson and Little Joe Blue. TuTu is now, more than ever, his own man. His ability to assimilate styles, sounds and even genres to reflect blues, jazz and experimental music.
A recent description by Austin blues writer Marin DeLeon II seems to best capture the heat, passion and individuality of this fine blues guitarist. "Mean faced and swinging his guitar like a shotgun, Dallas-based bluesman TuTu Jones is no joke. His guitar style is the blues equivalent of N. W. A. on ecstasy – brutal, yet sprinkled with subtle soul... Jones churns out some clean pickin' and good times, and when his blues begin to wear you down, Jones throws some soul around with ease. A little honey always makes the blues go down a lot smoother.
|
Almond & Johnson (Dave & Trey) |
Saturday
June 21, 2008
Eagle Stage
(Outdoor Stage)
2:15 pm
|
 |
Dave Almond has toiled in his personal castle of highs and lows and in-betweens, going forth only to play another gig in front of another familiar crowd. A crowd of loving fans and barroom haters is the workplace where Almond sings as if each note is new and each lyric has special meaning. Almond's music is a collection of song-stories and cautionary tales of life lived with beauty and chaos as Almond sings of angels and demons and faith and hope and perseverance in the midst of life's troubles, whether created by oneself or by others.
Accompanying Almond is Trey Johnson of Prescott, Ark., with lanky frame and freewheeling guitar performance style bound to bring a smile and a nod from the audience. As the front man for one of the most popular bar band trios in Arkansas, Johnson has learned to combine humor, stage presence and can hold his own with a six-string and a harp. The two combine their intelligent, wry wit and sober and not-so-sober observations on the human condition in a natural, relaxed manner and showmanship professionalism. |
|
Friday
June 20, 2008
Eagle Stage
(Outdoor Stage)
8:15 pm
|
|
THE KESLER BROTHERS
One listen to the Kesler Brothers and you will instantly recognize the influence of great blues artists such as Stevie Ray Vaughn and Jimi Hendrix. It is not until you take a second look that you discover these rock solid guitar lines are being played by two boys whose combined age is only 29. The Kesler Brothers are indeed brothers (Dad, Jeff is on the drums) and they're talented and young. This usually makes for an amazing combination and some awe inspiring shows. Caleb has guitar savvy beyond his years and seems to understand the origin of the soul of blues. The refreshing part of this act is the original songwriting. This is the modern face of blues-pop music. Part 70's pop, part 80's rap, part 60's blues, and part 90's funk, it's all there. At age 12 the youngest Kesler, Caden, has mastered more of the bass guitar than many who are five times his age. They made their first appearance at Jump, Jive, Jam Fest in their home town of Texarkana in early 2005. Shortly after, they finished 1st place in a Battle of the Bands at a regional festival beating out 9 other bands. They have been on the regional music map for 3 years now – including stellar performances at the previous 2 T-Bone Walker Blues Fests. |
Betty Lewis & the Executives
Betty Lewis
Vocals
Billy O'Con
Guitar, Vocals
Mark Tate
Keyboard, Guitar, Vocals
Pat O'Pr
Sax
John Mallard
Bass
Mike Owens
Drums
|
Friday
June 20, 2008
Music City Texas
Theater Stage
8:45 pm
|
|
You only have to hear her once to know it's true. Betty has been dipped in Gospel Soul, salted with a pinch of rhythm, and shaken with an amazing voice. Her outstanding accomplishments in music have made her a great representation of Louisiana Blues.
Endowed with a stage presence that rivals Janis Joplin in power and intensity, Betty has captured a sound that grasps the hearts of many and keeps her fans coming back for more. Billy O'Con- guitar, vocals; Mark Tate- keyboard, guitar, vocals; Pat O'Pry-sax; John Mallard- bass; Mike Owens-drums), Betty delivers a powerhouse performance! |
Delbert McClinton with Stephen Bruton Band
|
Sunday
June 22, 2008
Music City Texas
Theater Stage
5:00 pm
|
|
When Delbert McClinton announces with his latest album that he has Room To Breathe, he sure ain't kidding. After more than four decades of making music, McClinton is breathing freely with the confidence and energy of an artist who knows that he has mastered his game. Still basking in the glow of a new Grammy® Award, he has followed up what The Wall Street Journal declared his "best recording ever" -- 2001's Nothing Personal -- with a set that displays even greater muscle, smarts, charm and soul.
Delbert McClinton's early memories include going as a child with his parents to see Bob Wills & His Texas Playboys at The Cotton Club in Lubbock, TX, where he was born. His family moved to Ft. Worth when McClinton was 11, and just a few years later he started earning his PhD in real American music in a city known as a fertile incubator for a variety of styles. With the release of his 1975 solo debut, Victim of Life's Circumstances, McClinton firmly stamped his Ft. Worth-bred blend of blues, country and blue-eyed soul onto the pop musical landscape. A succession of influential and critically acclaimed albums followed, along with coups like appearing on "Saturday Night Live" in its heyday -- an acknowledgement of the pages torn from Delbert's play book by Dan Aykroyd and John Belushi when they formed The Blues Brothers. He scored hits like "Giving It Up For Your Love" and "Sandy Beaches," won a Grammy with Bonnie Raitt for their "Good Man/Good Woman" duet, and over the years has enjoyed covers of his songs by Emmylou Harris, The Blues Brothers, Vince Gill, Wynonna, Lee Roy Parnell, Martina McBride, Garth Brooks and Trisha Yearwood, among others.
Delbert collected his 3rd Grammy® in the category Best Contemporary Blues Album for Cost of Living from the National Academy of Recording Arts and Sciences. When Delbert McClinton announces with his latest album that he has Room To Breathe, he sure ain't kidding. Co-produced by Delbert's longtime friend and songwriting partner Gary Nicholson, the bulk of the album was with his well-seasoned road band.
After more than four decades of making music, McClinton is breathing freely with the confidence and energy of an artist who knows that he has mastered his game. Still basking in the glow of a new Grammy® Award, he has followed up what The Wall Street Journal declared his "best recording ever" -- 2001's Nothing Personal -- with a set that displays even greater muscle, smarts, charm and soul. When Delbert "came roaring out of the gate on Nothing Personal," as Rolling Stone put it, his stature as one of the living icons of genuine American music returned to the forefront. The album debuted on five Billboard charts: Hot 200 Albums, Blues, Country, Independent and Internet Sales.
|
| "ALLIGATOR RECORDS" |
Gary "Whitey Johnson" Nicholson |
Friday
June 20, 2008
Music City Texas
Theater Stage
10:00 pm
Saturday
June 21, 2008
Eagle Stage
(Outdoor Stage)
8:30 pm
|
|
Whitey Johnson is a recently discovered blues singer/songwriter/guitarist from Texas, now living in Tennessee and performing worldwide. There are various stories about Whitey's past, he has made his living making music for well over thirty years, yet has remained relatively unknown, having only recently recorded his debut album.
But one known fact is that under the pseudonym, Gary Nicholson, his songs have been recorded by such blues greats as BB King, Etta James, Bonnie Raitt, Keb Mo, Delbert McClinton, Gatemouth Brown, James Cotton, Junior Wells, Shemekia Copeland, John Mayall and many others. He also won two Grammies as producer of the Best Contemporary Blues Albums. Whitey describes his style as “Feel Better Blues" with songs such as "Use the Blues (to make you feel better)", "Worry Be Gone", "Leap of Faith", and "Better off with the Blues".
He learned to play guitar watching Texas legends Freddy King, Lightnin' Hopkins, Mance Lipscomb, then fell in love with Robert Johnson, Muddy and Wolf and the songs of Willie Dixon. He brings a deep respect for all his heroes to his own style. His band includes Colin Linden, Tom Hambridge, and Dave Roe who all have many credits having worked with artists such as Chuck Berry, Johnny Winter, Lynyrd Skynyrd, Johnny Cash, and many others. |
Bobbie Oliver & Jam City Revue
Bobbie "Mercy" Oliver
Guitar, Harmonica, Vocals
B.T. Carpenter
Drums, Percussion
Robert "Mr. Debonair" Wilcots
Keyboards
Garry McLean
Bass, Vocals
Gloria (Lady_g) Hall
Vocalist |
Sunday
June 22, 2008
Music City Texas Theater
3:00 pm
|
 |
Bobbie “Mercy” Oliver was born in 1939 in Atlanta, Texas. He was one of twelve children born to former sharecroppers, Claude and Mary Lee Oliver. His father was musically gifted and played the guitar and entertained his family after a hard day’s work. Bobbie inherited this talent, and taught himself to play on a cheap Sears & Roebuck guitar that his sister ordered for him (to the surprise of his father when the bill came). Bobbie was influenced by Jimmy Reed, who combined the harmonica and guitars with vocals. Bobbie also taught himself to play the harmonica. Shortly after graduation from high school, he moved to Chicago. In Chicago, he formed his own blues band, the Oliver Family Trio. The band consisted of his sister, Mary, on bass guitar; his wife on drums; and Bobbie on guitar and harmonica. He was one of the first performers to play Slim Harpo’s Scratch My Back – a standard for Jimmy Reed, Muddy Waters, Elmore James, Junior Parker, Elvis Presley, Stevie Ray Vaughn and Chuck Berry. It remains a staple in his repertoire.
Bobbie formed his present band, Jam City Revue, in 1994 with just a drummer – Eddie Robbins. Eddie’s brother, Kenny, joined them on the Congo’s and percussions. Sister Mary joined in on bass guitar, and brother, Freddy on the drums. When Mary and Freddy left the band, Bobbie taught his nephew K. T. Turner to play the bass. Bobbie is a composer and player of multiple instruments - all by ear. He is the last of the old school harmonica players ala, Little Walter, James Cotton etc. He owns BEO, Inc. Studio where he composes arranges and records his music. He is a one man band, playing guitar, harmonica and singing all at the same time. To watch him do all of this during a performance leaves his fans in awe.
|
Pocket Change
Ken Jacobs
Guitar/Vocals)
Tony Cascio
Guitar/Vocals
Chris Ellis
Bass
Jim Mackey
Drums
|
Saturday
June 21, 2008
Eagle Stage
(Outdoor Stage)
3:30 pm
|
 |
| Shreveport, La.'s Pocket Change brings itself as a "Hand clappin, foot tappin', deep in the soul" stage band with a vast repertoire of "Southern-fried Texas country style blues."
This forty-ish crew of versatile instrumentalists were weaned on the music of the sixties by musician fathers and musical influences from around the household, but Jacobs and others retained that fondness and respect for the old school roots music underlying the music known as the "British invasion
of American blues and R&B. T-Bone Walker, B. B. King, John Lee Hooker, Chuck Berry and other rock and blues artists became their points of reference for whatever rock or metal or acoustic trends came and went.
Pocket Change has been perfecting its play list and has been a popular club and festival band in Northwest Louisiana and Northeast Texas. |
Big Red & the Soul Benders
Kelley “Big Red” Taylor
Vocals
Mike Taylor
Bass
Larry Noble
Lead Guitar
Little Lick
Harp
Charles Gage
Drums |
Saturday
June 21, 2008
Eagle Stage
(Outdoor Stage)
4:45 pm
|
|
Being described as a "Bad Ass, In Your Face Road House Style Blues Band" just touches the tip of this Red Hot Blues Band. Big Red will leave you with so many feelings and emotions winding thru your head that you won't know which way is up. She'll have you laughing in one song, crying in another and just awestruck in the next song. But she WILL always leave you screaming "MORE, MORE"!!
Big Red writes songs from her heart and from a lifetime of experiences. Backed by the Soul Benders, a well seasoned group of Blues musicians, Big Red will take you on a journey from the 1930's up to the present. Big Red & The Soul Benders played at the Arkansas Blues and Heritage Festival (formerly known as the King Biscuit Blues Festival) on the Emerging Artists Stage and for the Delta Cultural Center in October of 2005. They came away from the festival winning the "Arkansas Blues And Heritage Award" as Best New Blues Band from Arkansas. They played the 24th Annual International Blues Challenge representing the Sonny Boy Blues Society. |
Kayla Reeves
Mike Keeton
Lead Guitar, Vocals
Collin Keeton
Bass Guitar
Nick Kammerer Drums/Percussion
|
Friday
June 20, 208
Eagle Stage
(Outdoor Stage)
9:30 pm
|
|
Kayla Reeves is a 15-year-old box of dynamite from Dallas who doesn't just sing, but attacks the blues like she has been singing all her life. Come to mention it, she has!
Kayla starting performing live Blues at the age of 7 years with local blues band "The Rail Chasers". After honing her vocal skills and stage presence she moved on to form a new band, "Kayla Reeves and Triple Threat". This highly energetic band proved to be a highlight for several festivals and clubs in Texas. November 2007 saw Kayla turn 15 years old, and now she's determined more than ever to be a major force in the Blues, as she has decided to pursue her career full-time while finishing school in-home.
Kayla has been featured in Blues Matters magazine with close friend Tyler Dow Bryant on more than one occasion in the UK, also Dallas Morning News, Ft. Worth Star-Telegram, Irving Neighbors, E-News, a featured artist on Texas Blues Café Pod Cast and has been "Performer Of The Day" on Austin's very own Fox 7 News "Good Morning Texas" live broadcast. |
|
Friday
June 20, 2008
Eagle Stage
(Outdoor Stage)
7:00 pm
|
|
When you first meet Matt “Mojo” Tedder, you’ll probably think, “what a charming young man.” He has manners, is polite, holds open doors for ladies and smiles as he looks you in the eyes and genuinely thanks you. Then you hear him play. Your second thought is “Wow! How can a 12-year-old play advanced beyond his years?” The preteen plays as if he’s perfected his craft for decades. His first guitar teacher gave him the nickname “Mojo”, which loosely means life-force, magic charm or soul. A few years ago, Mojo and his younger sister were playing hide-n-seek. They discovered a guitar under their parent’s bed. “She took it out and opened up the case,” Mojo said, remembering how fascinated he was with every part of the guitar. He finally got to take his first lesson at age 8 and said it was hard, but he has always been one who is up for a challenge. His favorite genre of music is the blues. Today, he plays equivalent to the beginning sounds of Stevie Ray Vaughn and BB King. A favorite guitar instructor, John Nitzinger, was the lead guitarist for Alice Cooper, and he taught Mojo the tricks of the trade and helped him develop his gift. Although he’s not certain what the future holds for him, he knows he wants to hit the big time. Keep playing Mojo, you’re half-way there! |
Dee Dee Williams
Dee Dee Williams
Vocals
Daniel Elsner
Lead Guitar
Mark Lumpkin
Bass
Unkle Dallas
Drums
|
Saturday
June 21, 2008
Music City Texas
Theater Stage
7:20 pm
|
|
|
About the Artiste.
Born to an Irish mother and Native American Mohawk Indian father, Dee Dee Williams was exposed to Big band music and other cultural influences as a little girl. Even at an early age, it became evident that she had a talent for entertaining and singing. When her father would tell her to sing a song at his favorite bar, a then four year old Dee Dee would get up on a table and sing her heart out!
Dee Dee lived in California until she was ten years old, when her mother became concerned about the "drug scene and Hippies!" and moved to a little town called Longview in East Texas. There, Dee Dee was exposed to country music and the laid back country living style, a far cry from where she had come from! Not really fitting in very well with her peers, Dee Dee would get home from school every day and practice singing until time to go to bed. She would later say about her childhood, "music was my only friend. The kids just didn't like me because I was shy and didn't have much to say. That tends to make people nervous and think you are weird! So I led a lonely existence as far as friends, but I knew at the end of the day I could sing and let out all my emotions. Thank God for music, it kept me feeling alive and worth something".
Blessed with a soulful voice, she began her singing career at the age of 14 when she was asked to join her first band after being heard singing at church. This band consisted of professional Nashville studio session musicians, who toured with many national artists! They heard something special in Dee Dee's voice and began promoting her to people in Nashville. Thus, at only 14 years of age, Dee Dee Williams found herself opening for such renowned artists as Waylon Jennings, Ray Price, John Anderson and Ronnie Milsap, to mention a few.
After many years of traveling and learning from the best in the business, Dee Dee met Vincent Williams, a pianist looking for a singer to sing jazz and blues with his group. She auditioned for him and her natural gift of soul and improvisation blew him away. He hired Dee Dee and taught her all the standards a jazz/blues vocalist should know! Dee Dee's love of this style of music was evident in each note she would sing! She worked with Vincent Williams for years touring the country appearing at Blues and jazz festivals, wowing the audiences not only with her amazing voice but her stage presence as well. Miss Williams had transformed into an amazing entertainer who was a natural with making each member of the audience feel like an old friend. People not only love listening to Dee Dee, they love to be entertained by her!
Dee Dee Williams continues to sing and entertain all over the country, from the far reaches of Upstate New York to the sunny climate of San Fransisco. She has performed everywhere from the Canadian province of Vancouver to the blues-rich delta of New Orleans. Among the many noted artists she has performed with are Marva Wright, Keb Mo', Kenny Wayne Shepperd and Ricky Lynn Gregg to name a few. Additionally, she travels frequently, promoting her CD's she has recorded. Dee Dee is currently working on expanding her sphere of influence by booking a European Tour, which is tentatively scheduled for Spring of 2008. |
|
|